... Landed here while searching for Sri Rama Rajyam songs. Starring Nandamuri Balakrishna, Nayanthara , Akkineni Nageswara Rao, Srikanth, Roja appear in supporting roles and music composed by Ilaiyaraaja. Please don’t miss this. It had run for 100 days in 62 centres and 175-day run in 18 centres, grossing more than 1 crore. 1. Nandamuri Balakrishna plays the lead role as Lord Rama with Nayantara as Seetha. Sri Rama Rajyam is a movie that showcases our ancient culture. There is no music from 2:15-3:10. It did not take much time for Lava and Kusha to vanquish the whole army. Maestro’s viswaroopam shows here as he swings violins, flute, oboe along with the sound of wind to denote the danger lurking in (5:05-5:23). Maestro cleverly avoided playing prelude or first interlude of the song. What is he trying to convey here? ( Log Out /  With just veena, switching to the war front is difficult, so enable seamless switch over, he opts for violins. When Rama calls ‘PranEshwari’ (his love and soul), piano enters to chromatic mode (@8:37) indicating the colors of love from Rama. Bapu. Lava and Kusha meet Rama. The story begins with Sri Rama Pattabhishekam and about the brief period of Rama Rajyam, Rama sending Seeta exile on hearing the accusations of a washerman, Birth of Lava and Kusha, their visit to Ayodhya, Ashwamedha Yagna and coflict between Rama and his sons and Pattabhishem of Lava and Kusha and Rama and finally ending his Avatar. [3] According to them, Rama Rao and Anjali Devi were "committed to the core". The film has 37 songs and Poems (Padyam), many are very popular and memorable. Please don’t miss to visit this site which serves as the biggest tribute to Maestro’s music. It is "Lava Kusa version 2". Just like the rest, the lyrics are simple and beautiful. This movie is the remake of old super hit classical film ``Lava Kusa`` and the plot is derived from Uttara Kanda which concerns the rule of Lord Rama after killing Raavana who has abducted his wife Seetha. Bapu switches the scene rapidly from war front to Sita’s Ashram. Remember this in mind that just after this scene Bapu is showing the war front again. that’s a very different sound, tearing our heart strings) (@7:08-7:37) when Sita surrenders to Rama’s arrow, followed by the violins take off (@7:38-7:48) when Sita ask Rama’s blessings to come out this danger. Sri Rama Rajyam (2011) A remake of the 1963 classic Lava Kusa, the Bapu-directed devotional movie revolved around Lord Rama's separation from … This song written in the lines of the classic vinuDu vinuDu from Lava Kusa, explains rAmAyaNa from the birth of rAma till the sItArAma swayamvaram. The film was shot in both Telugu and Tamillanguages with the same title, but with slight differences in the cast. Download Sri Rama Paramdhama song on Gaana.com and listen Lava Kusa Sri Rama … By playing it here he tells the audience/listeners that Rama is going to meet Sita again. If Bapu has only given a hint of Rama’s desire and his questions through that fire, Maestro answers to the visuals by playing the second interlude of Sri Rama Lera song. After its completion, she had to console him for almost fifteen minutes. The whole army of Sri Rama started running helter and shelter. What other instrument will be so suitable when he utters that magic word of his beloved? they only got back series of arrows from Lava-Kusa which forced them to run behind Lakshmana. Added in 24 Hours. An adaptation of the Uttara Kanda from the Mahabharata, Lava Kusa featured Sr NTR in the role of Lord Rama and set the box office on fire. They refute saying their are mere kids and that’s enough to fight with Rama. [2], Lava Kusa was filmed as a bilingual in Telugu and Tamil languages with differences in casting. For the 2017 Malayalam film, see, The shooting took place at a big mango orchard near, Rama Rao reprised the role of Rama in various unrelated films such as, National Film Award for Best Feature Film in Telugu, "Telugu cinema celebrity — Nandamuri Taraka Rama Rao", "Telugu Cinema News - Telugu Movie Reviews - Telugu Movie Trailers - IndiaGlitz Telugu", "celebrating 50 years of LavaKusa - Times of India", https://nataratnakalamandir.files.wordpress.com/2015/01/lava-kusa-1963-ntr-anjali-devi-telugucinemasongs-lyrics-copy.jpg, https://en.wikipedia.org/w/index.php?title=Lava_Kusa&oldid=995467755, Best Telugu Feature Film National Film Award winners, All Wikipedia articles written in Indian English, Pages using infobox film with unknown empty parameters, Creative Commons Attribution-ShareAlike License, "Saptashva Rathamarudham Prachandam Kashyapatmajam (Shlokam)", "Virise Challani Vennela Marala Eenadu Maa Kannula", "Ravanu Ni Samharinchi Raghuramudu (Poem)", "Ye Mahaniya Sadhvi Jagadeka Pavitrata (Poem)", "Ye Nimishaniki Yemi Jaruguno Evaruuhinchedaru", Ghantasala Venkateswara Rao, P. Susheela, P. Leela, Mallik, "Enduke Naa Meeda Kopam Emite Ni Paritaapam", "Ramakathanu Vinarayyaa Ihapara Sukhamulanosage", "Vinudu Vinudu Ramayana Gaatha Vinudee Manasara", "Srirama Sugunadhama Jayarama Parandhama", "Sandehinchaku Mammu Raghuramu Premanu Sitamma", "Ashwamedha Yagaaniki Jayamu Jayamu Jayamu", Ghantasala Venkateswara Rao, Madhavapeddi, Raghavulu, Rani, Sarojini, "Savanaashwambu idi Veeramaata yagu Kausalya (Poem)", "Leru Kushalavula Saati Sari Veerulu Dharunilo", "Sriraama Parandhamaa Jayarama Parandhama", "Indrum Illai Andrum Illai Endrume Illai", "Sreeraghavam Dasharathathmajam Aprameyam", "Vetri Murasu Olikka Seiyyum Aswamedha Yaagaam", This page was last edited on 21 December 2020, at 04:52. [3] Filming used to begin by 7:00 AM and would go on till 9:00 PM. The film's script was written by Samudrala Raghavacharya. The duo stated that this incident was an example of Pullaiah's respect towards the lead character and the state of technology in use. On Twitter, Junior NTR unveiled the motion poster of his upcoming film, Jai Lava Kusa No, she knows that. The harp which follows plays just two notes twice as now she has to make a decision out of two possibilities; one to finish the pooja or to stop the war. Maruthakasi. Bapu pans the camera from top angle as he moves and turns 180 degrees to focus Rama from behind to get the glimpse of Sun God. Sita turns away from Rama as she decided to walk away from Rama and his shadow. Rama meditates to find out who these kids are and at that exact moment his devotee Lord Hanuman (fetching flowers for Sita’s Lalitha Sahasranamam) who was flying and listening to their conversation spills the flowers as he … While Awadh flourished under the rule of Rama, he was constantly worried about the heir of the throne and his memories of Sita. Sri Rama Rajyam (9) IMDb 6.7 2h 52min 2011 ALL Winner of seven Nandi awards, Sri Rama Rajyam is based on the epic Ramayana. Isn’t amazing? Maestro Ilayaraja scored the music. The scene begins with Rama getting the news of Lakshmana and getting ready to go to the forest to capture the horse and the land. Rama hugs them and feels the fragrance of his sons for the first time. A big thud @6:09 when Hanuman lands (shaking the whole land around him) adds to the beauty of the score. [3] Writer Vempati Sadasivabrahmam, who worked with Pullaiah for Charanadasi, was chosen to write the remake's script. Just better. I will try to narrate each section along with detailing the score side by side. Alas! As the veena fades away, violins comes over to play the same melody. Maestro plays melodic strains of violins (4:16-4:52) with cellos acting as staccato points to mark the aggression/ friction between Rama and Lava-Kusa. Hanuman could not bear this any more rushes (for the first time as real hanuman, remember he was adorning the ashram as a kid so far) to Sita to inform her about the danger of war between Rama and his sons. The Telugu version stars Kanta Rao, Shoban Babu, S. Varalakshmi, Kaikala Satyanarayana in supporting roles, replaced in that order by M. R. Radha and Manorama in the Tamil counterpart. The film, directed by C Pullaiah and CS Rao, played in most theatres for 75 consecutive weeks and redefined the meaning of commercial success. He does not know the kids he is going to fight with are his own children (even though this is a skewed way of knowing his children, as I mentioned in the previous episode). Nagaraju was eight years old when the filming began. Change ), Gali Ningi Neeru – A Tribute to Ghantasala, Sri Rama Rajyam – End Credits and Conclusion, Sri Rama Rajyam – End of Rama’s Incarnation, Sri Rama Rajyam – Sita Returns to her Mother …Forever, Sri Rama Rajyam – Sita handover Lava-Kusa to Rama. When it restarted, C. Pullaiah's health was deteriorating, so his son C. S. Rao took over. Under Sage Valmiki's guidance, the boys set out to preach the Ramayana in Ayodhya but a shocking truth awaits them there. The film depicts Rama's (Balakrishna) rule of Ayodhya after he rescues Sita (Nayanthara) from Ravana, his separation from Sita and her reclusive life in the forest as she raises their children Lava and Kusa. [a], During a programme Telugu Cinema Prasthanam organised by the film society of Visakhapatnam, writer include actor Ravi Kondala Rao placed Lava Kusa among other cult films like Raja Harishchandra (1913), Bhakta Prahlada (1932), Mala Pilla (1938), Devadasu (1953), and Pathala Bhairavi during a speech on the role of Telugu cinema in the hundred years of Indian cinema. I am blown away by that glide of cellos. The trumpets which lasts for again for 5 seconds indicating the starting of war. Another reason for bringing violins is as I said earlier for continuity for the upcoming scene. The marching drums (from 1:36-1:41) is a stunning culmination of the score as Rama gets angry to see Lakshmana and his people getting defeated. [3], Pullaiah made Nagaraju and Subrahmanyam undergo training for an hour everyday and memorise the dialogues and lyrics of the songs. Rama warns them to first learn the strength of their opponent before waging a war. He gives enough time for their conversation to get heated up and that’s when he starts scoring again. Sri Rama Rajyam is based on Ramayana directed by Bapu. That’s where the Maestro’s stroke of genius comes in. Use of certain rarely used words is impressive! The hermits’ wives stop her saying she cannot stop the pooja in between and leave as that will become a curse. So the veena effectively conveys her ‘singular’ emotions. [2] The remake, also titled Lava Kusa,[2] is the first full-length colour film of Telugu cinema. Later she gives birth at Ashram to twins; Lava and Kusa. The film is based on the epic Ramayana. Lakshmana warned Lava-Kusa to handover the horse as it was Rama’s horse. So, Rama decides to leave Sita and she is sent to the forest. What are the incidents that happens next forms the Sri Rama Rajyam Story. The score is not a continuous one (a speciality of Maestro), it will have its silence at appropriate places and an intense score at other places depending on the intensity of the scenes. This song written in the lines of the classic vinuDu vinuDu from Lava Kusa, explains rAmAyaNa from the birth of rAma till the sItArAma swayamvaram. Sri Rama Rajyam is a movie that showcases our ancient culture. The way Maestro picks up the instruments is so unique. Rama again guesses that they must be someone sent by Lord Brahmma. No matter how much you try to eliminate any comparison between Lava Kusa and Sri Rama Rajyam, comparison becomes inevitable. From 5:56-6:17 we can hear a superb tremolo on a unique instrument (surely it’s not violin, may be a keyboard sound) with violins backing that tremolo finishing on a high crescendo. Lava-Kusa falls at Rama’s feet and apologized for their mistake. What else can be more appropriate. Due to the huge demand for the film from other centres in Andhra Pradesh, most prints had to be shifted to other centres. This episode is special not just because it is a climax, but this is the first time in years Sita and Rama meet each other. [10][11] It ran over 1111 days [12], Lava Kusa is considered a classic of Telugu cinema. Lava Kusa (also spelled as Lava Kusha) is a 1963 Indian Hindu mythological film directed by C. S. Rao and his father C. Pullaiah. This movie is based on Uttara Kanda which is the later part of Ramayana written by Valmiki Maharshi. [2], Soundtrack was composed by Ghantasala and lyrics by Vempati Sadasivabrahmam, Samudrala Raghavacharya & Kosaraju Raghavaiah.[6]. it was bapu's final film he had directed. The expectations on Sri Rama Rajyam are very high as it is inspired from Lava Kusa and has been made with rich technical values. Quite the same Wikipedia. Another song in the making through this divine melody. Sri Ramarajyam movie is based on Uttara Ramayanam, i.e., Lava Kusa. Lakshmana warned Lava-Kusa to handover the horse as it was Rama’s horse. This modern age of films, where no mythological films are to be seen, director Bapu came up with the same story of Uttara Rama Charitra and made Sri Rama Rajyam with stars like Balakrishna and Nayanatara. The film was produced by Shankar Reddy under Lalita Sivajyothi films. It will be beautiful to hear the switch over and back. Wonderful ploy by Maestro using the same set of instruments for two different approaches as the emotions are the same for both of them. It revolves around the roles of Lava and Kusa, sons of Rama (N. T. R.) and Seetha (Anjali Devi). This is going to be one of the longest score of the film (after Sita’s statue theme). This modern age of films, where no mythological films are to be seen, director Bapu came up with the same story of Uttara Rama Charitra and made Sri Rama Rajyam with stars like Balakrishna and Nayanatara. [3], Kanta Rao was cast for the role of Lakshmana. Even though she lived away from Rama, her soul was always with Rama and Rama’s shadow was always with Sita and he blessed her all the time. Sita rushes to stop the war and throws away the bows from Lava-Kusa and scolds them that they are fighting with their father. [4] When none of the crowns designed for him were suitable, Rama Rao used the one he used in Charanadasi which costed ₹140. The fire is burning in Rama for years together to meet and join with Sita. The last two minutes Maestro soars high and high with a moving score. He was a nine year old when the filming began and was 14 when the film released. When it turned out to be ineffective, Anjali Devi slapped him and the scene was filmed. Sri Rama Rajyam – Sita handover Lava-Kusa to Rama July 28, 2013. Maestro tells us another story through this piece of music. Sri Rama Rajyam is a 2011 Indian Telugu-language Hindu mythological film, produced by Yalamanchali Sai Babu under Sri Sai Baba Movies banner and directed by Bapu. are very good. Lava Kusa: The Warrior Twins– Animated film based on Uttara Kanda (2010). Maestro decides all these nuances way ahead when composing the song itself, so that when it comes to address those scenes, it is just a matter of where to place it by choosing appropriate instruments. Pullaiah convinced Rao to take up the task, stating that the emotional scenes in Rama’s palace were of equal importance to the story. [18], "Lava Kusha" redirects here. Sita is lonely as she is caught between her sons and her husband which is clearly reflected in the melody of the solo violin. The former won the National Film Award for Best Feature Film in Telugu for that year. I thought of cutting the scene and score into half, but it will take away the essence of both, so left it to be long, so that it the flow is continuous. It was also dubbed in Kannada, and later in Hindi in 1974. Just like the rest, the lyrics are simple and beautiful. English Articles. Since Lakshmana could not tolerate any further, he declares a war against Lava-Kusa and they in-turn retaliate. Later she gives birth at Ashram to twins; Lava and Kusa. The conversation gets intense and Maestro rightly stops the music (3:53-4:15) for the audience to get into the scene. The Telugu version of Lava Kusa was released on 29 March 1963, while the Tamil version was released the following month, on 19 April. There is an ocean of difference between the two movies that have been based on Uttara Ramayana. are very good. He then thanks Sita as Maestro gets ready to play the devuLLe mechchindi theme (nee needaga saaguninka jaanaki yani..sreekaram manOharam id veedani priya bandhamani’) starting from second interlude (@9:46). Starring. Also by playing the second interlude he is again stressing that their meeting will be short-lived, like the song will end shortly after the second interlude. As Sita handovers Lava-Kusa to Rama, divine Veena plays (with violins at the background) (9:23-9:47) to indicate the auspicious moment of love, happiness and reunion. This is an unbroken record. The film was shot in both Telugu and Tamil languages with the same title, but with slight differences in the cast. Rama tells for a king of Ayodhya everybody is his children. It is "Lava Kusa version 2". When the actor was being diagnosed for eosinophilia and became obese, he was offered the role of Shatrughna. Again this western instrument was never out of place here as the tone is such, it gels with other instruments. Sri Rama Rajyam is set in the Uttara Kandam of the Ramayana that deals with the story of Lava and Kusha. Seamless transition again!. Here is the Sri Rama Rajyam music review… Take a look!!! ( Log Out /  The film was a remake of 1934 film of same name which was also directed by C. Pullaiah. Why Rama plays this theme again? Please tell me honestly. Can this be even dream-able by any composer other than Maestro? Rao. [2] In a particular scene, Nagaraju was supposed to cry and glycerine was used. The melody in the violins (8:40- is the variation/melancholy of ‘nee needaga saaguninka jaanaki yani..sreekaram manOharam id veedani priya bandhamani’. Lord Rama's life is one of perfect adherence to dharma (righteousness) despite harsh tests of life and time. I am so moved by this theme, especially at this juncture. A special mention goes to the film Sri Rama Rajyam, which was released recently in 2011. The melody from the solo violin and veena is something we don’t get to hear even in his songs. It has been running continuously for an year and marking its completion today. Sri Rama Rajyam : Telugu Movie Review Movie is Good. A. Sankara Reddy wished to produce a film based on the Hindu epic Ramayana with N. T. Rama Rao and Anjali Devi in the lead roles after watching them play the roles of Rama and Sita in the song "Murisenu Lokamu" from Charanadasi, the Telugu version of the 1956 Tamil language film Mathar Kula Manickam. Unless the scene is narrated it is difficult to appreciate the score. Before going there let us step back to remind ourselves that Lakshmana fainted at the war front against Lava-Kusa which now becomes Rama’s responsibility to seize the Aswa-Medha (horse) from Lava-Kusa and thereby liberate Lakshmana. When Bapu is narrating the visuals brilliantly hear how Maestro complements the scene by narrating the scene further with his music. Adding to that is the magical film making skill and artistic depiction of movies by the Bapu-Ramana duo. Rama refuses to wage war against women and children, but Lava-Kusa reminds him of winning a demon women named ‘thaataki’. Lava-kusa gets angry on hearing this and says this place is not Ayodhya and they are not his sons. Ramayana: The Epic– A Warner Bros. Indian animated film (2010). After Rama (Balakrishna) and Sita (Nayanatara) get back from Lanka, the … Bapu could have just focussed Rama and the Sun God, but he also brings fire to the foreground which says something. Please hear the score from 0:03 – 0:37 for the Sri Rama Lera theme. The film depicts Rama's rule of Ayodhya after he returns home fr… Sri Rama Rajyam : Telugu Movie Review Movie is Good. From 6:47-7:14, hear how Maestro switches the emotions through orchestration from Sita’s fear to intense war scenario to pathetic Sita praying in front of Rama’s arrow (at the Ashram). So dreamy to hear this mini-symphony. However, the duo was relieved an hour before to ensure that they could sleep properly. Thundering drums, grand cellos, trumpets, double bass ornaments the scene as Rama leaves Ayodhya and approaches the forest. Sri Rama Rajyam is a remake of old-time classic Lava Kusa, and itself has the makings of a classic. They reciprocate that the history of a person is not required who is going to wage a war and asks Rama to stay away. Improved in 24 Hours. These are the areas where he applies his immortal brain and scores monstrously with just with one scanning of the scene, while it is too much for others. The concept of this yagna was age-old. Lakshmana was also welcomed by the shower of arrows. There she was protected by Valmiki and was given shelter in his Ashram. Recounted in the Hindu epic, Ramayana and its other versions. Sri Rama Rajyam is the remake of Legend NTR's Lava Kusa. Nice review..! Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. It was later remade in Telugu as Sri Rama Rajyam. ( Log Out /  He does not know that he is going to meet Sita. This is highly nuanced piece which hardly gets noticed. The solo violin (@6:43-6:52) when Sita was stopped by hermits’ wives and Sita explaining her circumstance, followed by harp (@6:53-6:59) when Sita prays to Goddess Lalitha, followed by thundering trumpets (@7:03) when Rama picks his first arrow, followed by melancholy veena (? Lava Kusa (Telugu/Tamil, 1963) An adaptation of the Uttara Kanda from the Mahabharata, Lava Kusa featured Sr NTR in the role of Lord Rama and set the box office on fire. [4] Pullaiah’s associate G. V. R. Seshagiri Rao pointed to him that a pregnant Sita running towards Valmiki would look awkward, and the scene was reshot. The beauty of this scene is two-fold. Now the transition happens from ashram from war-front (7:50-8:05) with the help of just sustained cymbal clashes (in addition to sound effects). He prays (and stares) the Sun God and asks him indirectly why is this happening to him and his kingdom. The lonely melancholy veena conveys the feeling of Sita towards Rama (at the ashram). Adding to that is the magical film making skill and artistic depiction of movies by the Bapu-Ramana duo. Sri Rama Rajyam-Wikipedia In January 2007, M. L. Narasimham of The Hindu listed Mayabazar with Mala Pilla (1938), Raithu Bidda (1939), Vara Vikrayam (1939), Bhakta Potana (1942), Shavukaru (1950), Malliswari (1951) Peddamanushulu (1954) and Lava Kusa (1963) as films that have influenced society and Telugu cinema. All the great warriors like Hanuman, Sugriva, Pushkal, Angad Veermani and even Shatrughna were either held captive or … If you listen closely, you might find, otherwise it sounds like a totally new melody, just like another song in the same raagam. See how slowly the veena fades away from 7:36 and violins (which was playing at the background to the veena) comes to the foreground and plays the same tune of veena (@7:38-7:49). The cellos backing up with playing chords at regular intervals. [3], The climax sequences were filmed first, and because of delay in the film's production, the child artistes looked much aged in the earlier portions. It depicts the lives of Lava and Kusa, the sons of Sita and Rama. The film was produced by Shankar Reddy under Lalita Sivajyothi films. [3] Unlike Subrahmanyam, Nagaraju acted in a few films before Lava Kusa; Pullaiah offered him the role after observing his work. Sita Sings the Blues – 2008, English animated movie; Lava Kusa: The warrior Twins – Animated film, 2010; Ramayana: The Epic – Warner Bros. Indian animated movie,2010; Sri Rama Rajyam – 2011, Telegu film based on Uttara Kanda Rama orders them to release the horse, but they deny and asks Rama to fight and win them to claim the horse. *) Statues (Lord Surya, Surya vamsa people, Lord Rama in Valmiki ashramam, etc.) [2] Kaikala Satyanarayana, Chittor V. Nagaiah, and Sando Krishna were chosen to play the roles of Bharata, Valmiki, and Anjaneya respectively. Later she gives birth at Ashram to twins; Lava and Kusa. Sita nods to Lava-Kusa that he is their father. This is unbelievable stuff. Soundtrack was composed by K. V. Mahadevan and Ghantasala and lyrics by A. We also hear the violins midly playing at the background, reminder her that is that her only wish? The story is basically the later part of Ramayana written by Valmiki Maharshi when Rama sent Sita to forest and later how the twin boys of Rama – Lava and Kusa reach Ayodhya and later Sita joins her Bhoodevi in the … Hats off to Rex for his huge dedication, passion and perseverance and to all Maestro fans for making it a thundering success. Sri Rama Rajyam  (11)IMDb 6.72 h 48 min2012ALL After getting exiled by Lord Rama, Sita gives birth to Lava and Kusa. [2], The production costs escalated because of Sankara Reddy's decision to make the film in colour. Sri Rama Rajyam. [7], The film ran for 75 weeks uninterruptedly. What a shot that is! It was later remade in Telugu as Sri Rama Rajyam. For that we to understand the dialogues. Sri Ramarajyam movie is based on Uttara Ramayanam, i.e., Lava Kusa. So, Rama decides himself to leave Sita and she is sent to the forest. Nandamuri Balakrishna as Sri Rama. The film was a remake of 1934 film of same name which was also directed by C. Pullaiah. Hats off to the cinematographer. See how the music suddenly transforms into a more pleasing one (from 1:42-2:15) as he steps down from his chariot and Lava-Kusa stunned to see his glittering face. [15] Rama Rao reprised the role of Rama in a number of films over a two-decade career. This film was later remade with the title Sri Rama Rajyam in 2011. He does not know who is the next heir of the Ayodhya kingdom. A grand piece of music. Maestro was playing ‘tarot’ cards at his best. [2] During the process, Sadasivabrahmam stayed faithful to the screenplay and the dialogue written for the original by Vallabhajosyula Ramanamurthy and Balijepalli Lakshmikantham respectively. Recent. When Rama responds and accepts his mistake, the flute now acts in favor of Rama and cellos play for Lava-Kusa’s feeling. The film was Bapu's final directional venture. An adaptation of the Uttara Kanda from the Mahabharata, Lava Kusa featured Sr NTR in the role of Lord Rama and set the box office on fire. Maestro scans all this in a flash. Hanuman explains that there is a danger of war happening between Rama and Lava-Kusa and requests her to immediately accompany him to stop the war. [17] Debutant Jaya Sreesivan named his 2015 comedy film as Lava Kusa which had no similarity with the film. Lava Kusa (also spelled as Lava Kusha) is a 1963 Indian Hindu mythological film directed by C. S. Rao and his father C. Pullaiah. The story is an adaptation of … In January 2007, M. L. Narasimham of The Hindu listed Lava Kusa with Mala Pilla (1938), Raithu Bidda (1939), Vara Vikrayam (1939), Bhakta Potana (1942), Shavukaru (1950), Malliswari (1951), Peddamanushulu (1954), and Mayabazar (1955) as films impacting society and Telugu cinema. When veena was playing Sita was praying Rama to give long life for their children (as she knows the value of Rama’s arrow, once it is out of the bow, it does not come back unless it hits the target) and also begging for her maangalyam (as the war might turn into anything). Languages. Rama was surprised to see Sita. [2] Anaparthi Nagaraju and Viyyuri Subrahmanyam were cast as Lava and Kusa respectively in Telugu. A special mention goes to the film Sri Rama Rajyam, which was released recently in 2011. Positive Points: *) Bapu-Ramana's combined presentation is very nice. Lakshmana was also welcomed by the shower of arrows. [3] When the scene of Rama embracing his sons was filmed, Pullaiah arranged two small tables and asked Rama Rao to hug Nagaraju and Subrahmanyam, who were standing on them. Ramayana: The Legend of Prince Rama- 1992, Japanese animated film releases in Hindi, English and Japanese languages. Change ), You are commenting using your Twitter account. He is said to have a whitish golden complexion like their mother, while Kusha had a blackish complexion like their father. Live Statistics. Maestro ILaiyaraaja, a Nostradamus in music! Lava (Sanskrit: लव) and his twin brother Kusha, were the children of Rama and Sita. Maestro shifts gear from 0:45-1:40. See the elegance with this he does this switch over. Director. The film's production commenced in 1958 and got stuck due to lack of funds after completion of one-third of the planned portions. When Rama advances, Lava-Kusa shoots two arrows at Rama’s feet stating the first one is to welcome Rama to the Ashram and the second one is to show their denial for releasing the horse. *) Statues (Lord Surya, Surya vamsa people, Lord Rama in Valmiki ashramam, etc.) [2] Rao was reluctant, opining that nothing dramatic was left for him to film. 1. The wind instruments reflect Lava-Kusa’s thoughts, while the cellos tear Rama’s heart. Change ), You are commenting using your Facebook account. Till that time, she was only concerned about her, her children and Rama. Narasimha Reddy advised him to consider Pullaiah's son C. S. Maestro gives a complete solution there. The beauty is when Maestro switches to veena (as the visuals are back to ashram) from that mighty trumpets to heart tearing veena. [5] Rama Rao insisted Sankara Reddy to let Kanta Rao play Lakshmana,[5] and Sobhan Babu was signed to play Shatrughna. The story is an adaptation of the Uttara Kanda from Ramayana. See the sweat from Maestro, despite no one caring to listen all these intricacies. Maestro by picking this theme gets into the soul of Rama and asks Sita, ‘You did say you will not leave me, but now you are turning away from me, is this fair?’. Change ), You are commenting using your Google account. Please don’t miss to visit this site which serves as the biggest tribute to Maestro’s music. He does not know he is the father of two kids. Kusha or Kusa (Sanskrit: कुश) and his twin brother Lava were the children of Rama and Sita. Here is the Sri Rama Rajyam music review… Take a look!!! Veena plays that divine theme to perfection (@10:00-10:35), as Rama approaches Sita and Sita turns away. [2], —Nagaraju, in an interview with The Times of India in April 2013. Also hear how Maestro gradually gets thumpura in-line and stops the music as Rama gets the blessings from his mother before leaving.

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